《喪日少女》劇情介紹
《喪日少女》是由艾瑪·塞利格曼執(zhí)導(dǎo)，艾瑪·塞利格曼編劇，瑞秋·塞諾特,丹尼·德費(fèi)拉里,弗雷德等明星主演的劇情,電影。
這個(gè)故事描述了一個(gè)年輕人在面對(duì)壓力和困境時(shí)如何尋找自己的激情和目標(biāo)，并最終克服困難實(shí)現(xiàn)自己的夢(mèng)想。故事的主要主題是堅(jiān)持追求自己的夢(mèng)想和信任自己的能力。通過(guò)丹妮爾的經(jīng)歷，我們可以看到她在面對(duì)壓力和困境時(shí)的掙扎和迷茫，但最終通過(guò)舊愛(ài)的幫助和鼓勵(lì)，她找到了重新定義自己的方法。這個(gè)故事還強(qiáng)調(diào)了自我接納和自我愛(ài)的重要性，以及如何處理生活中的困難和挫折。最終，丹妮爾的故事給人們帶來(lái)了希望和鼓舞，鼓勵(lì)他們勇敢地面對(duì)自己的困難和挑戰(zhàn)，追求自己真正想要的生活。
《喪日少女》于2020-03-15上映，制片國(guó)家/地區(qū)為美國(guó)。時(shí)長(zhǎng)共78分鐘，語(yǔ)言對(duì)白英語(yǔ)，最新?tīng)顟B(tài)HD。該電影評(píng)分6.8分，評(píng)分人數(shù)851人。
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《喪日少女》影評(píng)
[FilmReview]ShivaBaby(2020)?。?/h3>《喪日少女》是一部情節(jié)扣人心弦的電影，它融合了喜劇和成長(zhǎng)故事。故事的主線圍繞著丹妮爾即將大學(xué)畢業(yè)，但對(duì)未來(lái)的規(guī)劃感到迷茫。丹妮爾面臨著來(lái)自各方面的壓力，這使得她無(wú)法控制自己的飲食和健康。她陷入了一個(gè)無(wú)休止的循環(huán)中，不斷地?cái)z入食物，卻無(wú)法滿(mǎn)足自己內(nèi)心的需求。這種困境讓她感到絕望和無(wú)助。然而，在一場(chǎng)葬禮上，丹妮爾被自己的父母、高中前女友以及一個(gè)神秘的“特殊熟客”所圍困。這些人的出現(xiàn)使她感到更加壓抑，甚至到了崩潰的邊緣。她感到自己無(wú)處可逃，仿佛被困在一個(gè)沒(méi)有出口的迷宮中。然而，在丹妮爾絕望之時(shí)，一個(gè)意想不到的人出現(xiàn)了。這個(gè)人就是她的舊愛(ài)，他理解丹妮爾的困境，并給予了她理解和救贖。通過(guò)與舊愛(ài)的交流和支持，丹妮爾逐漸找到了自己的方向，并開(kāi)始重新審視自己的生活?！秵嗜丈倥凡粌H僅是一部喜劇電影，它還通過(guò)丹妮爾的成長(zhǎng)故事向觀眾傳遞了許多深刻的思考。它提醒我們，在面對(duì)困境和壓力時(shí)，我們應(yīng)該尋找支持和理解，并勇敢地面對(duì)自己的內(nèi)心。這部電影通過(guò)幽默和感人的方式，給觀眾留下了深刻的印象，讓人對(duì)生活和人性有了更深入的思考。
It’s debut feature assessment time! Two aspiring female filmmakers delight and impress us in rather different ways. Emma Seligman’s SHIVA BABY, a US-Canada production extended from her eponymous short, is a faux-spontaneous, concise film that whirls around almost in real-time, it runs only 77 minutes but what a whirlpool of anxiety-ridden quagmire it is! SAINT MAUD is a British psychological horror about a Catholic zealot consumed by her savior complex, first-time director Rose Glass stylishly flexes her muscles of genre-moviemaking and it features a blue-ribbon performance from Morfydd Clark.
In SHIVA BABY, American Jewish college girl Danielle (Sennott) attends a shiva with her parents. There she touches base with her ex-girlfriend Maya (Gordon) and bumps into Max (Deferrari), who is the last person in this world she wants to see under the circumstances, one of her clients since on the sly, Danielle moonlights as a fille de joie to earn some quick cash, which her clueless parents think she earns from baby-sitting.
Actually, a sitter is gravely needed when Max’s Gentile wife Kim (Agron) brings their bawling bundle of joy to the shiva, Danielle’s secret is at risk when telltale signs are observed by Kim, her naive act of sexual autonomy backfires and it is Maya who twigs her side hustle, a falling-out dampens their renewed passion. Beset by family friends’ gossipy inquiry, a hot-and-bothered Danielle is desperate to leave, when measured small talk becomes exceedingly awkward, only a cup of lukewarm coffee can offer her a breather, and the family’s egress is another scrape where everybody is squeezed out of their comfort zone but Seligman also celebrates the girls’ solidarity whereas their older generation is predisposed to pass judgement.
Sennott bestirs herself particularly well, her Danielle seems perpetually teetering on the brink of cracking up, but like many people of her age, Danielle’s irritable facade is her go-to defense mechanism, underneath that, her insecurity, vulnerability and strength are all in nascent form needs to be seen and nurtured.
SHIVA BABY is a quirkily energized, even frenetic (when Danielle’s anxiety level surges, her vision of reality is also pertinently warped and roasted, on the strength of Seligman’s showy technique and composer Ariel Marx’s eerie string klezmer) practice of mapping out a Jewish girl’s bisexuality (without making a fuss over it) and inquietude caused by the constraint of a suffocating family tie (the overbearing Jewish mother/the insensitively amicable Jewish father tropes are worn-out), and if you suffer from social anxiety disorder, the film’s relatability is spot-on.
Title: Shiva BabyYear: 2020Country: USA, CanadaLanguage: EnglishGenre: ComedyDirector/Screenwriter: Emma SeligmanMusic: Ariel MarxCinematography: Maria RuscheEditing: Hanna A. ParkCast:Rachel SennottMolly GordonPolly DraperDanny DeferrariFred MelamedDianna AgronGlynis BellJackie HoffmanVivien LandauSondra JamesCilda ShaurRating: 7.5/10
《喪日少女》是一部情節(jié)扣人心弦的電影，它融合了喜劇和成長(zhǎng)故事。故事的主線圍繞著丹妮爾即將大學(xué)畢業(yè)，但對(duì)未來(lái)的規(guī)劃感到迷茫。丹妮爾面臨著來(lái)自各方面的壓力，這使得她無(wú)法控制自己的飲食和健康。她陷入了一個(gè)無(wú)休止的循環(huán)中，不斷地?cái)z入食物，卻無(wú)法滿(mǎn)足自己內(nèi)心的需求。這種困境讓她感到絕望和無(wú)助。然而，在一場(chǎng)葬禮上，丹妮爾被自己的父母、高中前女友以及一個(gè)神秘的“特殊熟客”所圍困。這些人的出現(xiàn)使她感到更加壓抑，甚至到了崩潰的邊緣。她感到自己無(wú)處可逃，仿佛被困在一個(gè)沒(méi)有出口的迷宮中。然而，在丹妮爾絕望之時(shí)，一個(gè)意想不到的人出現(xiàn)了。這個(gè)人就是她的舊愛(ài)，他理解丹妮爾的困境，并給予了她理解和救贖。通過(guò)與舊愛(ài)的交流和支持，丹妮爾逐漸找到了自己的方向，并開(kāi)始重新審視自己的生活?！秵嗜丈倥凡粌H僅是一部喜劇電影，它還通過(guò)丹妮爾的成長(zhǎng)故事向觀眾傳遞了許多深刻的思考。它提醒我們，在面對(duì)困境和壓力時(shí)，我們應(yīng)該尋找支持和理解，并勇敢地面對(duì)自己的內(nèi)心。這部電影通過(guò)幽默和感人的方式，給觀眾留下了深刻的印象，讓人對(duì)生活和人性有了更深入的思考。
It’s debut feature assessment time! Two aspiring female filmmakers delight and impress us in rather different ways. Emma Seligman’s SHIVA BABY, a US-Canada production extended from her eponymous short, is a faux-spontaneous, concise film that whirls around almost in real-time, it runs only 77 minutes but what a whirlpool of anxiety-ridden quagmire it is! SAINT MAUD is a British psychological horror about a Catholic zealot consumed by her savior complex, first-time director Rose Glass stylishly flexes her muscles of genre-moviemaking and it features a blue-ribbon performance from Morfydd Clark.
In SHIVA BABY, American Jewish college girl Danielle (Sennott) attends a shiva with her parents. There she touches base with her ex-girlfriend Maya (Gordon) and bumps into Max (Deferrari), who is the last person in this world she wants to see under the circumstances, one of her clients since on the sly, Danielle moonlights as a fille de joie to earn some quick cash, which her clueless parents think she earns from baby-sitting.
Actually, a sitter is gravely needed when Max’s Gentile wife Kim (Agron) brings their bawling bundle of joy to the shiva, Danielle’s secret is at risk when telltale signs are observed by Kim, her naive act of sexual autonomy backfires and it is Maya who twigs her side hustle, a falling-out dampens their renewed passion. Beset by family friends’ gossipy inquiry, a hot-and-bothered Danielle is desperate to leave, when measured small talk becomes exceedingly awkward, only a cup of lukewarm coffee can offer her a breather, and the family’s egress is another scrape where everybody is squeezed out of their comfort zone but Seligman also celebrates the girls’ solidarity whereas their older generation is predisposed to pass judgement.
Sennott bestirs herself particularly well, her Danielle seems perpetually teetering on the brink of cracking up, but like many people of her age, Danielle’s irritable facade is her go-to defense mechanism, underneath that, her insecurity, vulnerability and strength are all in nascent form needs to be seen and nurtured.
SHIVA BABY is a quirkily energized, even frenetic (when Danielle’s anxiety level surges, her vision of reality is also pertinently warped and roasted, on the strength of Seligman’s showy technique and composer Ariel Marx’s eerie string klezmer) practice of mapping out a Jewish girl’s bisexuality (without making a fuss over it) and inquietude caused by the constraint of a suffocating family tie (the overbearing Jewish mother/the insensitively amicable Jewish father tropes are worn-out), and if you suffer from social anxiety disorder, the film’s relatability is spot-on.
Title: Shiva BabyYear: 2020Country: USA, CanadaLanguage: EnglishGenre: ComedyDirector/Screenwriter: Emma SeligmanMusic: Ariel MarxCinematography: Maria RuscheEditing: Hanna A. ParkCast:Rachel SennottMolly GordonPolly DraperDanny DeferrariFred MelamedDianna AgronGlynis BellJackie HoffmanVivien LandauSondra JamesCilda ShaurRating: 7.5/10
