《做某事時的感覺已然消逝》是由喬安娜·阿諾執(zhí)導(dǎo),喬安娜·阿諾編劇,斯科特·科恩,巴巴克·塔夫提,喬安娜等明星主演的喜劇,電影。
一位30多歲的紐約猶太婦女在臥室里練習(xí)虐戀的藝術(shù),并在工作和家庭中嘗試駕馭支配與臣服的動態(tài)關(guān)系。
《做某事時的感覺已然消逝》別名:良機已逝,于2023-05-19上映,制片國家/地區(qū)為美國。時長共87分鐘,語言對白英語,該電影評分6.3分,評分人數(shù)2344人。
主演:阿諾·施瓦辛格,琳達·漢密爾頓,愛德華·福隆,羅伯特·帕特里克,阿爾·伯恩,喬·莫頓,埃帕莎·默克森,卡斯圖羅·格雷拉,丹尼·庫克塞,詹妮特·戈德斯坦恩,山德·貝克利,萊思莉·漢密爾頓·格倫,彼得·舒魯姆,唐·雷克,吉姆·帕爾默,格溫達·迪肯,科林·帕特里克·林奇,妮基·考克斯,德沃恩·尼克森,阿卜杜勒·薩拉姆·埃爾·拉扎克,邁克·馬斯喀特,迪恩·諾里斯,查爾斯·A·坦伯羅,丹尼·皮爾斯,馬克·克里斯托弗·勞倫斯,林凡,喬爾·克萊默,斯科特·肖,史文-歐爾·托爾森,小威廉·威謝爾,KenGibbel
提莫西·查拉梅,愛德華·諾頓,艾麗·范寧,莫妮卡·巴巴羅,波伊德·霍布魯克,丹·福勒,諾爾貝特·里奧·布茨,初音映莉子,比格·比爾·莫根菲爾德,威爾·哈里森,斯科特·麥克納里,P·J·伯恩,邁克爾·切魯斯,查理·塔漢,伊萊·布朗,彼得·格雷·劉易斯,彼得·格雷蒂,喬·蒂皮特,禮薩·薩拉薩爾,大衛(wèi)·阿倫·伯施理,詹姆士·奧斯汀·約翰遜,約書亞·亨利,大衛(wèi)·溫澤爾,瑪雅·菲德曼,伊洛斯·佩若特,萊利·哈什莫托,倫尼·格羅斯曼
Got highly emotional towards the end of the film. Shed some tears I can’t really name.
Or I can. I sensed her creating connections with herself, with the outer. I can’t be sure which one came before and which one after.
Life’s repetitive and depressing just as it is for most people. Numbing oneself’s just the natural way to get by and the barriers b/w us and sensing own deepest needs as well as creating connections with others and the world have been there ever since (being a child?). A lot of times we know what we want on the surface, what cheers us up or satisfy us momentarily, just as an outcome or result (i.e., Ann’d like the bdsm relationship with men), not knowing the causes and the cure or I will say the truly soothing thing could be done toward it. First we knew the time for doing something has passed. Then we knew the feeling of regret and complaint has passed. So after that it just seems to be endless phase of numbness.
People don’t have a big enough motivation/ outer change to help facilitate the act of thinking it through or facing the truth. While the ‘transformation’ happens to the protagonist, it can almost be counted as a miracle in an ordinary person’s life. The ‘transformation’ that is subtle. The ‘transformation’ that is extraordinary. She created connections. Her true needs were seen and addressed by herself and others. She vocalised her needs to herself and others. Probably the connection with self was there, and she just needed somebody/ some incident to sparkle it. I’m not sure what’s the sequence b/w connecting with oneself and connecting with outer. But the ‘creating connection’ transformation just feels so authentic, truthful and resonating.
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