《賣太陽的小女孩》劇情介紹
《賣太陽的小女孩》是由吉布里爾·迪奧普·曼貝蒂執(zhí)導，吉布里爾·迪奧普·曼貝蒂編劇，LissaBalera,Aminat等明星主演的劇情,電影。
以乞討維生的十二歲跛腳少女，不甘被街上的男孩欺負，決心搶回自己應得的權利與尊嚴。她成為城裡第一個賣報紙的女孩，像男孩一樣在大街上叫賣，努力養(yǎng)活自己和家中盲眼的奶奶。導演向殘忍世界裡依舊盡力尋夢的勇敢孩子們致敬，除了傳達人民對政府的期待落空與信任危機，更從中暗喻塞內加爾在全球化底下的掙扎與不安。
《賣太陽的小女孩》別名：TheLittleGirlWhoSoldtheSun，于2000-04-21上映，制片國家/地區(qū)為塞內加爾。時長共45分鐘，語言對白法語，該電影評分7.5分，評分人數369人。
《賣太陽的小女孩》評論
同類型電影
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赤羽骨子的親衛(wèi)隊
拉烏盧,出口夏希,奧平大兼,高橋光,長井短,三浦獠太,倉悠貴,芝大輔,木村昴,工藤美櫻,松岡廣大,高橋大翔,志水彩乃,大久保櫻子,上田奏,詩羽,戶塚純貴,坂口涼太郎,中田青渚,安齊星來,土佐有輝,山本千尋,橘優(yōu)輝,鳴海唯,遠藤憲一,津田健次郎,皆川猿時,安井順平,土屋太鳳
《賣太陽的小女孩》影評
1有用
I like every time when shooting Sili, the film is bathing within a warm sunlight which illuminates the little girl's face and her smile and unfailing courage, in turn, illuminate the screen. The last scene presents an explicit hope and "throws to the sea". An interesting metaphor here refers to regarding political and slavery emancipation as the sea. Sili asks "What do we do now?" after francophone Africa has been independent and based on self-reliance without its former colonial infrastructure. Her friend, Babou, hoists her onto his back and carries her through a crowded arcade of the market. responding "we continue". An alternative form of economic development within the Western-centered free market and ethnocentric globalization is now ready for being tested.
Explored through the prism of childhood, this film challenges issues of power relations through economic dependence, disability and gender, blending with subtlety fantastical and folktale elements with social realism, to create a moving and refreshingly optimistic story of courage and resilience.
DisabilityinanAgeofGlobalization
這篇影評可能有劇透
The second film I've watched for the FREN375. The tone is calm, the color is plain but the scenes are moving, satiric and comic. The BGM within the film is played by Mambéty's brother Wasis Diop and is pretty chill and co-existing with the character Sili. Sili is a young beggar girl who is on crutches and confidently makes her own way through a city of obstacles and becomes the first girl to sell the newspaper Le Soleil in the competitive male-dominated world.I like every time when shooting Sili, the film is bathing within a warm sunlight which illuminates the little girl's face and her smile and unfailing courage, in turn, illuminate the screen. The last scene presents an explicit hope and "throws to the sea". An interesting metaphor here refers to regarding political and slavery emancipation as the sea. Sili asks "What do we do now?" after francophone Africa has been independent and based on self-reliance without its former colonial infrastructure. Her friend, Babou, hoists her onto his back and carries her through a crowded arcade of the market. responding "we continue". An alternative form of economic development within the Western-centered free market and ethnocentric globalization is now ready for being tested.
Explored through the prism of childhood, this film challenges issues of power relations through economic dependence, disability and gender, blending with subtlety fantastical and folktale elements with social realism, to create a moving and refreshingly optimistic story of courage and resilience.
