《再見(jiàn)伊甸園》劇情介紹
《再見(jiàn)伊甸園》是由利桑德羅·阿隆索執(zhí)導(dǎo)，利桑德羅·阿隆索編劇，ArgentinoVargas,Fr等明星主演的劇情,電影。
五十四歲的瓦加斯剛從阿根廷科連特斯省的監(jiān)獄中釋放出來(lái)。他唯一想做的事情，就是尋找自己已經(jīng)長(zhǎng)大成人的女兒。女兒住在河上游的叢林深處，一個(gè)遙遠(yuǎn)又潮濕的地方。為了到達(dá)那里，瓦加斯必須乘坐小船沿著叢林間的河道走很長(zhǎng)時(shí)間的水路。瓦加斯是一個(gè)沉默而矜持的人，他所經(jīng)過(guò)的風(fēng)景都被一種深深的神秘感籠罩著。一路走去，他遭遇的神奇事情，遇見(jiàn)的人，一切一切，仿佛自從他關(guān)入監(jiān)獄以來(lái)，就一直沒(méi)有改變。它們構(gòu)成了一個(gè)不變的世界，一個(gè)時(shí)間已經(jīng)消失的世界。
《再見(jiàn)伊甸園》別名：Sangre，于2004-04-16上映，制片國(guó)家/地區(qū)為阿根廷。時(shí)長(zhǎng)共78分鐘，語(yǔ)言對(duì)白西班牙語(yǔ)，該電影評(píng)分7.1分，評(píng)分人數(shù)460人。
《再見(jiàn)伊甸園》評(píng)論
同類(lèi)型電影
- 1991年07月03日上映
終結(jié)者2：審判日
主演:阿諾·施瓦辛格,琳達(dá)·漢密爾頓,愛(ài)德華·福隆,羅伯特·帕特里克,阿爾·伯恩,喬·莫頓,埃帕莎·默克森,卡斯圖羅·格雷拉,丹尼·庫(kù)克塞,詹妮特·戈德斯坦恩,山德·貝克利,萊思莉·漢密爾頓·格倫,彼得·舒魯姆,唐·雷克,吉姆·帕爾默,格溫達(dá)·迪肯,科林·帕特里克·林奇,妮基·考克斯,德沃恩·尼克森,阿卜杜勒·薩拉姆·埃爾·拉扎克,邁克·馬斯喀特,迪恩·諾里斯,查爾斯·A·坦伯羅,丹尼·皮爾斯,馬克·克里斯托弗·勞倫斯,林凡,喬爾·克萊默,斯科特·肖,史文-歐爾·托爾森,小威廉·威謝爾,KenGibbel
《再見(jiàn)伊甸園》影評(píng)
AmodelmovieofPasolini'sFreeIndirectSubjectivetheory
This is his second movie. The first is Freedom (2001).
To say honestly, this movie is not my cup of tea. However, something is worthy learning, which is the maneuver or theory called: Free Indirect Subjective, presented by Pier Paolo Pasolini.
"In Pier Paolo Pasolini's theory of film, the free indirect subjective is a cinematic style which combines the vision of the filmmaker with the subjective point of view of his character: the subjective experience of the character becomes the cinematic matter which the filmmaker uses in order to create the intersubjective images of the film. Therefore, films directed using this style of Pasolini show intersubjectively the subjective experience of the character."
So if look back on my movie list, I can figure out several were using this way.
This is a good way, always honest to the reality, pure reality, no falling pie, no exaggerated emotion or action, no answer and even no question, no change, but that is life.
However, I would say, this movie is not telling a common life. It's a different one from beginning to the end. What we can find is how a person struggled out of unreality life and tried to merge into a reality life, but no one knows if he gets there.
The last, I really like the scenes, they were managed finely.
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