《周末狂歡》劇情介紹
《周末狂歡》是由JustinKerrigan執(zhí)導(dǎo)，JustinKerrigan編劇，約翰·西姆,丹尼·戴爾,肖恩·帕克斯等明星主演的劇情,電影。
這個故事描述了五個朋友在90年代的卡迪夫俱樂部場景中度過的一個周末。他們每個人都面臨著自己的個人問題和惡魔，而這個周末將成為他們的突破性時刻。吉普是一個自稱性恐懼癥的人，他害怕自己會陽痿。他對自己的性能力缺乏自信，這使得他在與女性交往時感到不安。盧魯是吉普的朋友，她對男人沒有太多的興趣。她對自己的性取向感到困惑，無法確定自己是不是同性戀。妮娜討厭她在快餐店的工作，她渴望有一個更有意義的職業(yè)。她的男人庫普夢想成為一個偉大的嘻哈音樂制作人，但他容易因為嫉妒而發(fā)脾氣。最后一個人是莫夫，他的家人對他的行為不滿。他經(jīng)常追求刺激和冒險，這讓他的家人擔(dān)心他的安全。從周五下午開始，他們準(zhǔn)備參加俱樂部活動，享受嗨藥帶來的快樂。他們在俱樂部里跳舞、喝酒、享受音樂和社交。然而，隨著夜晚的深入，一些問題開始浮出水面。在酒精和嗨藥的影響下，吉普開始對自己的性能力感到不安。他擔(dān)心自己會陽痿，這使得他無法與女性建立親密關(guān)系。盧魯開始思考自己的性取向，并試圖弄清楚自己是不是同性戀。她感到困惑和不安，但也對自己的新發(fā)現(xiàn)感到興奮。妮娜和庫普之間的關(guān)系也受到了考驗。庫普容易因為嫉妒而發(fā)脾氣，這讓妮娜感到壓力很大。他們之間的爭吵和沖突開始影響他們的感情。莫夫的家人對他的行為不滿，并試圖讓他改變。然而，莫夫?qū)ψ约旱纳罘绞礁械綕M意，并堅持自己的選擇。在這個周末中，至少有三個人經(jīng)歷了突破性的時刻。吉普克服了自己的性恐懼癥，重新獲得了對自己的信心。盧魯接受了自己是同性戀的事實(shí)，并開始接受自己。妮娜和庫普解決了他們之間的問題，重新建立了他們的感情。這個故事展示了五個朋友在一個周末中面對自己的問題和惡魔，并最終實(shí)現(xiàn)了個人的突破。它也描繪了90年代卡迪夫俱樂部場景的生動畫面，以及嗨藥和酒精帶來的快樂和后遺癥。
《周末狂歡》別名：情愛四人幫，于1999-06-04上映，制片國家/地區(qū)為愛爾蘭。時長共99分鐘，語言對白英語，最新狀態(tài)高清中字。該電影評分7.5分，評分人數(shù)407人。
《周末狂歡》演員表
《周末狂歡》評論
同類型電影
- 2025年04月22日上映
搖滾詩人：未知的傳奇
提莫西·查拉梅,愛德華·諾頓,艾麗·范寧,莫妮卡·巴巴羅,波伊德·霍布魯克,丹·福勒,諾爾貝特·里奧·布茨,初音映莉子,比格·比爾·莫根菲爾德,威爾·哈里森,斯科特·麥克納里,P·J·伯恩,邁克爾·切魯斯,查理·塔漢,伊萊·布朗,彼得·格雷·劉易斯,彼得·格雷蒂,喬·蒂皮特,禮薩·薩拉薩爾,大衛(wèi)·阿倫·伯施理,詹姆士·奧斯汀·約翰遜,約書亞·亨利,大衛(wèi)·溫澤爾,瑪雅·菲德曼,伊洛斯·佩若特,萊利·哈什莫托,倫尼·格羅斯曼
《周末狂歡》影評
Ravingandranting?。?/h3>《周末狂歡》是一部喜劇電影，以90年代卡迪夫俱樂部為背景，講述了五個朋友在一個周末里面對感情和個人問題的故事。主角Jip擔(dān)心自己陽痿，而他的朋友Lulu對男人不感興趣。Nina討厭她的工作，而她的男友Koop夢想成為一名偉大的嘻哈音樂人，但容易嫉妒。最后一個角色是Moff，他的家人對他的行為不滿意。故事從周五下午開始，他們?yōu)橥砩系木銟凡炕顒幼鰷?zhǔn)備，然后度過了一個充滿嗨藥和酒精的周六早上，最后是周末的余波。對于至少三個人來說，這是一個突破性的時刻。
HUMAN TRAFFIC
****
Starring John Simm, Lorraine Pilkington. Written and directed by Justin Kerrigan.
BY JASON ANDERSON
The first thing you should know is that Justin Kerrigan's Human Traffic is the only feature to authentically capture the euphoria and camaraderie of British rave culture. Finally, the raving is no mere background for a crap youth film or crime thriller, but the whole point of the exercise. And Human Traffic has the right tunes (house, techno and drum 'n' bass tracks, plus classics by Primal Scream and Orbital), the right chemicals (ecstasy, pot, coke and lager) and the right feel, from the time Jip (John Simm) and his friends in Cardiff, Wales, come up on Friday night to when they land softly on Sunday afternoon.
It hardly matters that Human Traffic doesn't have much of a plot. "There's very little story," agrees Kerrigan while in town recently. "There's only one problem resolved, and that's Jip's monumental case of Mr. Floppy." Kerrigan, who grew up in Cardiff, swears that "everything in Human Traffic has happened" -- even the E-related penile dysfunction -- and it's all captured in loving detail. The film's few attempts at sociopolitical commentary (like a pub full of people singing an "alternative" national anthem) are mostly naff, but Human Traffic is undeniably exuberant.
Though its unmoralistic attitude toward soft drugs (i.e., no one dies) made it difficult to get financing, Human Traffic was readily embraced by audiences and critics last spring in the U.K. The fact that it was uncontroversial is a testament to how much rave culture is youth culture in Britain.
But the film may turn out to be more controversial in North America, where cities like Toronto are newly paranoid about raves, with newspapers reporting on deaths and drugs at parties and officials making concerned noises. To Kerrigan, that's proof the culture is heading toward the mainstream and "the fact that the press are giving it such bad publicity is only gonna publicize it more." He points out that the banning of clandestine raves in Britain in the early '90s drove the parties into the clubs, effectively legitimizing rave culture. "The fact is that it brings together people from all different classes, races, sexualities.
"Everybody leaves their ego at the door and people just have a laugh -- that's what the whole culture's about."
That spirit is well-captured by a killer anecdote Kerrigan gave to me because I was the only interviewer to smoke with him all day.
After he shot the film, he somehow got an invitation to a reception in Windsor Castle's recently rebuilt Great Hall.
"I borrowed a suit and some shoes and went down there," says Kerrigan. "It's full of celebrities. And I'm thinking, 'What the fuck am I doing there?' I'm walking around and I'm knocking back the free booze, like, and I got absolutely steaming very quickly. I'm down at the end of the Great Hall trying to get an ashtray off the butlers. I'm there trying to stay up straight and I look around and it's the Queen! She's finishing her conversation with someone and I'm next in line.
"So she comes over and says, 'Oh, hello, who are you and what do you do?' I say, 'Hello, ma'am, I'm Justin Kerrigan,' and I stick my hand out. Then I realize that you're not supposed to shake the Queen's hand.
"She's looking at me and I'm looking at her and I'm thinking, 'You're not gonna leave me hanging here.' So she shakes my hand and I tell her, 'It's a film about youth culture in Britain based on me and my friends, blah, blah, blah,' and I'm pissed so I forget what I'm talking about. And she's not coming back with anything, man -- she's just standing there stone-faced.
"We're standing there in silence, and I'm thinking, 'Fucking hell, this is my last moment with the Queen.' So I said, 'The place looks great -- do you rent it out for parties at all?' That went -- whoosh! -- over the top of her head. She said, 'No, we just keep it for functions like this.' I said, 'I was only joking,' and she gives me this curt little smile and walks off.
"Immediately tons of people swarm me, saying, 'Oh, you spoke to the Queen, what did she say?' I said, 'She wanted me to sell her some charlie -- I'm gonna meet her later upstairs.'"
這篇影評有劇透
《周末狂歡》是一部喜劇電影，以90年代卡迪夫俱樂部為背景，講述了五個朋友在一個周末里面對感情和個人問題的故事。主角Jip擔(dān)心自己陽痿，而他的朋友Lulu對男人不感興趣。Nina討厭她的工作，而她的男友Koop夢想成為一名偉大的嘻哈音樂人，但容易嫉妒。最后一個角色是Moff，他的家人對他的行為不滿意。故事從周五下午開始，他們?yōu)橥砩系木銟凡炕顒幼鰷?zhǔn)備，然后度過了一個充滿嗨藥和酒精的周六早上，最后是周末的余波。對于至少三個人來說，這是一個突破性的時刻。
HUMAN TRAFFIC
****
Starring John Simm, Lorraine Pilkington. Written and directed by Justin Kerrigan.
BY JASON ANDERSON
The first thing you should know is that Justin Kerrigan's Human Traffic is the only feature to authentically capture the euphoria and camaraderie of British rave culture. Finally, the raving is no mere background for a crap youth film or crime thriller, but the whole point of the exercise. And Human Traffic has the right tunes (house, techno and drum 'n' bass tracks, plus classics by Primal Scream and Orbital), the right chemicals (ecstasy, pot, coke and lager) and the right feel, from the time Jip (John Simm) and his friends in Cardiff, Wales, come up on Friday night to when they land softly on Sunday afternoon.
It hardly matters that Human Traffic doesn't have much of a plot. "There's very little story," agrees Kerrigan while in town recently. "There's only one problem resolved, and that's Jip's monumental case of Mr. Floppy." Kerrigan, who grew up in Cardiff, swears that "everything in Human Traffic has happened" -- even the E-related penile dysfunction -- and it's all captured in loving detail. The film's few attempts at sociopolitical commentary (like a pub full of people singing an "alternative" national anthem) are mostly naff, but Human Traffic is undeniably exuberant.
Though its unmoralistic attitude toward soft drugs (i.e., no one dies) made it difficult to get financing, Human Traffic was readily embraced by audiences and critics last spring in the U.K. The fact that it was uncontroversial is a testament to how much rave culture is youth culture in Britain.
But the film may turn out to be more controversial in North America, where cities like Toronto are newly paranoid about raves, with newspapers reporting on deaths and drugs at parties and officials making concerned noises. To Kerrigan, that's proof the culture is heading toward the mainstream and "the fact that the press are giving it such bad publicity is only gonna publicize it more." He points out that the banning of clandestine raves in Britain in the early '90s drove the parties into the clubs, effectively legitimizing rave culture. "The fact is that it brings together people from all different classes, races, sexualities.
"Everybody leaves their ego at the door and people just have a laugh -- that's what the whole culture's about."
That spirit is well-captured by a killer anecdote Kerrigan gave to me because I was the only interviewer to smoke with him all day.
After he shot the film, he somehow got an invitation to a reception in Windsor Castle's recently rebuilt Great Hall.
"I borrowed a suit and some shoes and went down there," says Kerrigan. "It's full of celebrities. And I'm thinking, 'What the fuck am I doing there?' I'm walking around and I'm knocking back the free booze, like, and I got absolutely steaming very quickly. I'm down at the end of the Great Hall trying to get an ashtray off the butlers. I'm there trying to stay up straight and I look around and it's the Queen! She's finishing her conversation with someone and I'm next in line.
"So she comes over and says, 'Oh, hello, who are you and what do you do?' I say, 'Hello, ma'am, I'm Justin Kerrigan,' and I stick my hand out. Then I realize that you're not supposed to shake the Queen's hand.
"She's looking at me and I'm looking at her and I'm thinking, 'You're not gonna leave me hanging here.' So she shakes my hand and I tell her, 'It's a film about youth culture in Britain based on me and my friends, blah, blah, blah,' and I'm pissed so I forget what I'm talking about. And she's not coming back with anything, man -- she's just standing there stone-faced.
"We're standing there in silence, and I'm thinking, 'Fucking hell, this is my last moment with the Queen.' So I said, 'The place looks great -- do you rent it out for parties at all?' That went -- whoosh! -- over the top of her head. She said, 'No, we just keep it for functions like this.' I said, 'I was only joking,' and she gives me this curt little smile and walks off.
"Immediately tons of people swarm me, saying, 'Oh, you spoke to the Queen, what did she say?' I said, 'She wanted me to sell her some charlie -- I'm gonna meet her later upstairs.'"
這篇影評有劇透
