《愛麗斯餐廳》劇情介紹
《愛麗斯餐廳》是由阿瑟·佩恩執(zhí)導(dǎo)，阿瑟·佩恩編劇，阿洛·古瑟瑞,帕特里夏·奎因,詹姆斯等明星主演的劇情,電影。
這部電影以阿洛·古斯特里的歌曲《愛麗斯餐廳》為基礎(chǔ)，講述了他在感恩節(jié)期間去看望愛麗斯，并幫她處理垃圾的故事。然而，他卻在垃圾場關(guān)閉后將垃圾扔進(jìn)了峽谷底部的垃圾堆上。當(dāng)?shù)鼐L發(fā)現(xiàn)后，展開了一場大規(guī)模的搜捕行動。阿洛在法庭上幸存下來，但這段經(jīng)歷一直困擾著他，尤其是當(dāng)他要通過征兵入伍參軍時。電影通過阿洛的旁白和音樂，展示了他在這段經(jīng)歷中的心理困擾和掙扎。這部電影可能會探討一些重要的主題，例如個人責(zé)任、后果和自我反思。它也可能呈現(xiàn)出一些關(guān)于社會和法律體系的諷刺和批評，以及對個人選擇和自由的思考?？偟膩碚f，這部電影將以音樂和敘述的方式，通過阿洛的經(jīng)歷和心理困擾，探索一系列的主題和問題。
《愛麗斯餐廳》于1969-08-20上映，制片國家/地區(qū)為美國。時長共111分鐘，語言對白英語，最新狀態(tài)愛麗斯餐廳。該電影評分0.0分，評分人數(shù)139人。
《愛麗斯餐廳》演員表
《愛麗斯餐廳》評論
同類型電影
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夏日風(fēng)暴
羅伯特·施塔德洛伯,科斯蒂亞·烏爾曼,艾麗卡·巴赫蕾達(dá)-庫魯斯,Jürgen Tonkel
《愛麗斯餐廳》影評
InsideArloGuthrie?。?/h3>《愛麗斯餐廳》是一部改編自阿洛·古斯瑟里的歌曲的電影，屬于喜劇類型。劇情圍繞著阿洛幫助愛麗斯送垃圾到垃圾場展開，但因為垃圾場關(guān)閉，他將垃圾扔進(jìn)了峽谷底部的垃圾堆。警長發(fā)現(xiàn)后展開了搜捕行動，阿洛在法庭上幸存下來，但這段經(jīng)歷一直困擾著他。后來，阿洛被征召入伍，這段經(jīng)歷讓他更加困惑不解。電影以阿洛的旁白和音樂為引導(dǎo)，通過歌曲的旋律展開劇情。
這篇影評可能有劇透
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Alice's Restaurant is a 1969 American comedy film directed by Arthur Penn. It is an adaptation of the 1967 folk song "Alice's Restaurant Massacree", originally written and sung by Arlo Guthrie. The film stars Guthrie as himself, with Pat Quinn as Alice Brock and James Broderick as Ray Brock. Penn, who resided in the story's setting of Stockbridge, Massachusetts, co-wrote the story with Venable Herndon in 1967 after hearing the song, shortly after completing Bonnie & Clyde.
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Alice's Restaurant was released on August 19, 1969, a few days after Guthrie appeared at the Woodstock Festival. A soundtrack album for the film was also released by United Artists Records. The soundtrack includes a studio version of the title song, which was originally divided into two parts (one for each album side); a 1998 CD reissue on the Rykodisc label presents this version of the song in full, and adds several bonus tracks to the original LP.
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In 1965, Arlo Guthrie (as himself) has attempted to avoid the draft by attending college in Montana. His long hair and unorthodox approach to study gets him in trouble with local police as well as residents. He quits school, and subsequently hitchhikes back East. He first visits his father Woody Guthrie (Joseph Boley) in the hospital.
Arlo ultimately returns to his friends Ray (James Broderick) and Alice Brock (Pat Quinn) at their home, a deconsecrated church in Great Barrington, Massachusetts where they welcome friends and like-minded bohemian types to "crash". Among these are Arlo's school friend Roger (Geoff Outlaw) and artist Shelley (Michael McClanathan), an ex-heroin addict who is in a motorcycle racing club. Alice is starting up a restaurant in nearby Stockbridge. Frustrated with Ray's lackadaisical attitude, she has an affair with Shelley, and ultimately leaves for New York to visit Arlo and Roger. Ray comes to take her home, saying he has invited a "few" friends for Thanksgiving.
The central point of the film is the story told in the song: After Thanksgiving dinner, Arlo and his friends decide to do Alice and Ray a favor by taking several months worth of garbage from their house to the town dump. After loading up a red VW microbus with the garbage, and "shovels, and rakes and other implements of destruction", they head for the dump. Finding the dump closed for the holiday, they drive around and discover a pile of garbage that someone else had placed at the bottom of a short cliff. At that point, as mentioned in the song, "...we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw ours down."
The next morning they receive a phone call from "Officer Obie" (Police Chief William Obanhein as himself), who asks them about the garbage. After admitting to littering, they agree to pick up the garbage and to meet him at the police officers' station. Loading up the red VW microbus, they head to the police station where they are immediately arrested.
As the song puts it, they are then driven to the quote scene of the crime unquote where the police are engaged in a hugely elaborate investigation. At the trial, Officer Obie is anxiously awaiting the chance to show the judge the 27 8x10 color glossy photos of the crime but the judge (James Hannon as himself) happens to be blind, using a seeing eye dog, and simply levies a $50 fine, orders them to pick up the garbage and then sets them free. The garbage is eventually taken to New York and placed on a barge. Meanwhile, Arlo has fallen in love with a beautiful Asian girl, Mari-chan (Tina Chen).
Later in the movie, Arlo is called up for the draft, in a surreal depiction of the bureaucracy at the New York City military induction center on Whitehall Street. He attempts twice to make himself unfit for induction, first by getting drunk the night before and performing the physical exams while hung over, then by acting like a homicidal maniac in front of the psychiatrist, but fails both times (the latter incident actually gets him praise). Because of Guthrie's criminal record for littering, he is first sent to the Group W bench (where convicts wait), then outright rejected as unfit for military service, not because of the littering incident, but because the government is suspicious of "his kind" and instead opted to submit his personal records to Washington, DC.
Upon returning to the church, Arlo finds Ray and members of the motorcycle club showing home movies of a recent race. Shelley enters, obviously high, and Ray beats him until he reveals his stash of heroin, concealed in some art he has been working on. Shelley roars off into the night on his motorcycle to his death; the next day, Woody dies. Ray and Alice have a hippie-style wedding in the church, and a drunken Ray proposes to sell the church and start a country commune instead, revealing that he blames himself for Shelley's death. The film ends with Alice standing alone in her bedraggled wedding gown on the church steps.
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Arlo Guthrie as Himself
Pat Quinn as Alice Brock
James Broderick as Ray Brock
Pete Seeger as Himself
Lee Hays as Himself – Reverend at Evangelical Meeting
Michael McClanathan as Shelly
Geoff Outlaw as Roger Crowther
Tina Chen as Mari-chan
Kathleen Dabney as Karin
William Obanhein as Himself – Officer Obie
James Hannon as Himself – the blind judge
Seth Allen as Evangelist
Monroe Arnold as Bluegrass
Joseph Boley as Woody Guthrie
Vinnette Carroll as Draft Clerk
Sylvia Davis as Marjorie Guthrie
Simm Landres as Private Jacob / Jake
Eulalie Noble as Ruth
Louis Beachner as Dean
MacIntyre Dixon as First Deconsecration Minister
Arthur Pierce Middleton as Second Deconsecration Minister
Donald Marye as Funeral Director
Shelley Plimpton as Reenie
M. Emmet Walsh as Group W Sergeant
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The real Alice Brock makes a number of cameo appearances in the film. In the scene where Ray and friends are installing insulation, she is wearing a brown turtleneck top and has her hair pulled into a ponytail. In the Thanksgiving dinner scene, she is wearing a bright pink blouse. In the wedding scene, she is wearing a Western-style dress.
Stockbridge police chief William Obanhein ("Officer Obie") plays himself in the film, explaining to Newsweek magazine that making himself look like a fool was preferable to having somebody else make him look like a fool.Judge James E. Hannon, who presided over the littering trial, also appears as himself in the film.Many of Guthrie's real-life associates in Stockbridge made appearances as extras, and Penn, who himself had a home in Stockbridge,spent time living among them in an effort to grasp their lifestyle.Guthrie and all of the extras were housed at the same hotel during filming of scenes outside Stockbridge, but Guthrie received star treatment; a limousine was provided for Guthrie each morning while the others had to find their own transportation for filming. This strained the relations between Guthrie and his friends for many years.Much of the film was recorded in Stockbridge.
The film also features the first credited film appearance of character actor M. Emmet Walsh, playing the Group W sergeant. (Walsh had previously appeared as an uncredited extra in Midnight Cowboy, released three months prior.) The film also features cameo appearances by American folksingers/songwriters Lee Hays (playing a reverend at an evangelical meeting) and Pete Seeger (playing himself).
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The original song "Alice's Restaurant Massacree" that formed the basis for the film's central plotline was, for the most part, a true story. However, other than this and the hippie wedding at the end of the film, most of the other events and characters in the film were fictional creations of the screenplay's writers. According to Guthrie, commenting in the DVD's audio commentary section, the film used the names of real people but took numerous liberties with actual events. Richard Robbins, Guthrie's co-defendant in real-life, was replaced by the fictional Roger Crowther for the film (in the song, he remained anonymous). The subplots involving the Shelly character were completely fictional and not based on any real people or incidents in Guthrie's life;his character's motorcycle club was loosely based on the Trinity Motorcycle Club (or, by a conflicting account, the Triangle Motorcycle Club), a real-life group of cyclists that associated with the Brocks and were alluded to in another Guthrie song, the "Motorcycle Song."The film also has Guthrie being forced to leave a Montana town after "creating a disturbance" – i.e., several town residents object to Guthrie's long hair, and gang up to throw him through a plate glass window. This never happened, and Guthrie expresses regret that Montana got a "bad rap" in the film. In reality, during the time of the littering incident and trial, Guthrie was still enrolled in a Montana college, and was only in Stockbridge for the long Thanksgiving weekend (he would drop out of college at the end of the semester).
Alice Brock has spoken very negatively of the film's portrayal of her. She stated in a 2014 interview "That wasn’t me. That was someone else’s idea of me."She took particular offense at the film falsely implying that she had slept with Guthrie (among others) and noted that she had never associated with heroin users.She also noted that the song and film brought a large amount of unwanted publicity: "It just really impinged on your privacy. It’s just amazing how brazen people can be when you’re a supposed public figure(…) We sold the church at that point." Richard Robbins, who did not consent to his likeness being used in the film, described almost all the additions to the story as "all fiction" and "complete bull."
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Critical reception of the film has wavered between seeing the film as light entertainment and as a political statement. In 2009, Politics Daily wrote that, "calling the 1969 film a comedy misses its noir backbeat of betrayed romanticism, and thinking of it as a madcap autobiography misses its politics. This is a movie driven by the military draft and the Vietnam War".
Upon its initial release, Newsweek called the film "the best of a number of remarkable new films which seem to question many of the traditional assumptions of establishment America."
When interviewed in 1971, the film's director, Arthur Penn, said of the film: "What I tried to deal with is the US's silence and how we can best respond to that silence. ... I wanted to show that the US is a country paralyzed by fear, that people were afraid of losing all they hold dear to them. It's the new generation that's trying to save everything".
In being offered the opinion that violence is not so important in the film, Penn replied: "Alice's Restaurant is a film of potential transition because the characters know, in some way, what they are looking for. ... It's important to remember that the characters in Alice's Restaurant are middle-class whites. They aren't poor or hungry or working class. They are not in the same boat as African Americans. But they're not militants either. In this respect the church dwellers are not particularly threatening. They find it easy to live there, even if most people can't afford such a luxury. From this point of view, this film depicts a very specific social class. It's a bourgeois film".
The final scene is not of a loving couple seeing off their guests, but of Alice standing alone looking into the distance, watching the guests leave, as if knowing that her future is in fact bleak with Ray.Coincidentally, the real Alice and Ray finalized their divorce on the same day the wedding scene was filmed.Arthur Penn has said that the final scene was intended as comment on the inevitable passing of the counterculture dream: "In fact, that last image of Alice on the church steps is intended to freeze time, to say that this paradise doesn’t exist any more, it can only endure in memory".Gene Siskel of the Chicago Tribune listed Alice's Restaurant as third best film of 1969.
The film grossed $6,300,000in the United States, making it the 23rd highest-grossing film of 1969.
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Nominated for Academy Award for Best Director (1969) – Arthur Penn
Nominated for Writers Guild of America Award for Best Drama Written Directly for the Screen (1970) – Venable Herndon, Arthur Penn
Third Place – Laurel Awards – Golden Laurel for Comedy (1970)
Nominated for British Academy of Film and Television Arts Awards – Anthony Asquith Award for Film Music (1971) – Arlo Guthrie
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一部由 Arthur Penn執(zhí)導(dǎo)的1969年美國喜劇電影。它改編自1967年的民歌 “ Alice's Restaurant Massacree ”，最初是由 Arlo Guthrie編寫和演唱的。這部電影以Guthrie為自己，而 Pat Quinn飾演Alice Brock， James Broderick飾演Ray Brock。住在馬薩諸塞州斯托克布里奇故事中的佩恩在完成邦妮和克萊德之后不久，在聽完這首歌后，于1967年與維納特赫恩頓共同撰寫了這個故事。
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愛麗絲餐廳于1969年8月19日在格思里出席伍德斯托克音樂節(jié)后幾天發(fā)布。一個原聲專輯為影片也被發(fā)布了美國藝術(shù)家的記錄。電影配樂包括主打歌的演播室版本，最初分為兩個部分（每個專輯一個部分）; 關(guān)于Rykodisc標(biāo)簽的1998年CD重新發(fā)行，完整地展示了這首歌的版本，并為原版LP添加了幾首獎勵曲目。
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1965年，Arlo Guthrie（他本人）試圖通過在蒙大拿州上大學(xué)來避免選秀。他的長發(fā)和非正統(tǒng)的學(xué)習(xí)方式使他與當(dāng)?shù)鼐旌途用褚黄鹣萑肜Ь?。他退學(xué)了，隨后又回到了東部。他首先在醫(yī)院探望他的父親Woody Guthrie（Joseph Boley）。
Arlo最終回到了他的朋友Ray（James Broderick）和Alice Brock（Pat Quinn）的家中，這是一家位于馬薩諸塞州Great Barrington的deconsecrated教堂，他們歡迎朋友和志同道合的波西米亞風(fēng)格“崩潰”。其中有奧爾羅的學(xué)校的朋友羅杰（杰夫·奧特洛）和藝術(shù)家雪萊（邁克爾·麥克納森），一名前海洛因成癮者誰是在飆車俱樂部。愛麗絲正在斯托克布里奇附近開辦一家餐館。她對雷的缺乏態(tài)度感到沮喪，她與雪萊有染，最終離開紐約前往阿羅和羅杰。雷來帶她回家，說他邀請了一些“少數(shù)”朋友參加感恩節(jié)。
影片的中心點是歌曲中講述的故事：感恩節(jié)晚餐后，阿羅和他的朋友們決定通過從他們的房子到城鎮(zhèn)垃圾場拿幾個月的垃圾來幫助愛麗絲和雷。在裝滿垃圾的紅色大眾微型客車，以及“鏟，耙和其他破壞工具”后，他們前往垃圾場。他們在假日期間找到了傾倒的垃圾場，他們四處奔波，發(fā)現(xiàn)了一堆垃圾，其他人放在了一個短暫的懸崖底部。那時，正如歌曲中提到的那樣，“......我們決定一大堆比兩個小樁更好，而不是把它們拿起來，我們決定放棄它們。”
第二天早上，他們接到“奧比軍官”（警察局局長威廉·奧班海恩自己）打來的電話，問他們垃圾。在承認(rèn)亂扔垃圾后，他們同意拿起垃圾并在警察局接他。加載紅色大眾微型客車，他們前往警察局，他們立即被捕。
正如歌曲所說，然后他們被驅(qū)逐到犯罪的報價場景中，警察正在進(jìn)行一項非常精細(xì)的調(diào)查。在審判中，奧比官員焦急地等待有機(jī)會向法官展示27張8x10彩色光澤的犯罪照片，但法官（詹姆斯?jié)h農(nóng)本人）恰好是盲人，使用看眼狗，并簡單征收罰款50美元命令他們拿起垃圾，然后將它們釋放。垃圾最終被運往紐約并被放置在駁船上。與此同時，Arlo愛上了一位漂亮的亞洲女孩Mari-chan（Tina Chen）。
在電影的后期，Arlo被邀請參加選秀，對紐約市白廳街軍事導(dǎo)游中心的官僚主義進(jìn)行了超現(xiàn)實的描繪。他試圖兩次使自己不適合上腹部，首先是前一天晚上喝醉并在懸掛時進(jìn)行身體檢查，然后在精神科醫(yī)生面前表現(xiàn)得像一個兇惡的瘋子，但兩次失?。ê笳呤录嶋H上讓他贊美）。由于Guthrie的亂扔垃圾的犯罪記錄，他首先被送到W組的替補(bǔ)席（囚犯等待），然后完全被拒絕服兵役，不是因為亂扔垃圾事件，而是因為政府懷疑“他的那種”而是選擇將他的個人記錄提交給華盛頓特區(qū)。
回到教堂后，阿羅找到了雷和摩托車俱樂部的成員，他們展示了最近一場比賽的家庭電影。雪萊進(jìn)入，顯然很高，雷擊敗了他，直到他露出海洛因的藏匿處，隱藏在他一直在研究的一些藝術(shù)品中。雪萊在他的摩托車上咆哮到深夜，直到死亡; 第二天，伍迪死了。雷和愛麗絲在教堂里舉行了一場嬉皮風(fēng)格的婚禮，一個醉酒的雷建議賣掉教堂，開始建立一個鄉(xiāng)村公社，這表明他為雪萊的死感到憤怒。影片以愛麗絲獨自站在教堂臺階上的混亂婚紗禮服結(jié)束。
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Arlo Guthrie就是他自己
Pat Quinn飾演Alice Brock
James Broderick飾演Ray Brock
Pete Seeger就是他自己
李海斯自己 - 在福音派會議上牧師
作為雪莉的Michael McClanathan
Geoff Outlaw飾演Roger Crowther
Tina Chen飾演Mari-chan
Kathleen Dabney飾演Karin
William Obanhein飾演自己 - 奧比軍官
詹姆斯?jié)h農(nóng)作為自己 - 盲目的法官
塞思艾倫擔(dān)任布道者
夢露阿諾德飾演藍(lán)草
約瑟夫博利飾演伍迪格思里
Vinnette Carroll擔(dān)任草案文員
Sylvia Davis飾演Marjorie Guthrie
Simm Landres作為私人雅各布/杰克
Eulalie Noble飾演露絲
Louis Beachner飾演Dean
麥金太爾·迪克森擔(dān)任第一任譴責(zé)部長
亞瑟·皮爾斯·米德爾頓擔(dān)任第二次退役部長
Donald Marye擔(dān)任葬禮總監(jiān)
Shelley Plimpton飾演Reenie
M. Emmet Walsh擔(dān)任W組中士
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真正的愛麗絲布洛克在電影中出演了許多客串。在Ray和朋友正在安裝保溫材料的場景中，她穿著棕色高領(lǐng)上衣，頭發(fā)被扎成馬尾辮。在感恩節(jié)晚餐現(xiàn)場，她穿著一件亮粉色的上衣。在婚禮現(xiàn)場，她穿著西式禮服。
Stockbridge警察局長William Obanhein（“奧比軍官”）在電影中飾演自己，向“新聞周刊”雜志解釋說讓自己看起來像個傻瓜比讓別人讓他看起來像個傻瓜更可取。主持亂拋垃圾審判的法官詹姆斯·漢農(nóng)（James E. Hannon）也出現(xiàn)在電影中。Guthrie在Stockbridge的許多現(xiàn)實生活中扮演的角色都是臨時演員，Penn本人在Stockbridge有家，花時間與他們共同生活，努力掌握他們的生活方式。Guthrie和所有演員在拍攝Stockbridge外面的場景時被安置在同一家酒店，但Guthrie獲得了明星待遇; 每天早上為Guthrie提供一輛豪華轎車，而其他人則必須找到自己的拍攝交通工具。這使Guthrie和他的朋友之間的關(guān)系多年來緊張。這部電影大部分都是在斯托克布里奇錄制的。
這部電影還有角色演員M. Emmet Walsh首次亮相的電影，扮演W組中士。（Walsh此前曾在午夜牛仔中出現(xiàn)過三個月前發(fā)布的未經(jīng)授權(quán)的額外內(nèi)容。）這部電影還有美國民謠歌手/詞曲作者Lee Hays（在福音派會議上扮演一個牧師）和Pete Seeger（扮演自己）的角色出場。
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原本歌曲“愛麗絲的餐廳大屠殺”構(gòu)成了電影中央情節(jié)線的基礎(chǔ)，在很大程度上是一個真實的故事。然而，除了這個以及電影結(jié)尾的嬉皮婚禮，電影中的大多數(shù)其他事件和角色都是劇本作家的虛構(gòu)創(chuàng)作。據(jù)Guthrie在DVD的音頻評論部分評論，這部電影使用了真人的名字，但卻對實際事件采取了許多自由。古斯里在現(xiàn)實生活中的共同被告理查德羅賓斯被電影中的虛構(gòu)羅杰克勞瑟所取代（在歌曲中，他仍然是匿名的）。涉及雪莉角色的次要情節(jié)完全是虛構(gòu)的，并非基于格思里生活中任何真實的人或事件; 他的角色的摩托車俱樂部基于三位一體的摩托車俱樂部（或者，由一個相互沖突的賬戶，三角摩托車俱樂部），一群真實的騎自行車者，與布洛克斯有關(guān)，并在另一個Guthrie歌曲中提到， “摩托車之歌”。這部電影還讓Guthrie在“制造干擾”之后被迫離開蒙大拿州的城鎮(zhèn) - 也就是說，幾個城鎮(zhèn)居民反對Guthrie的長發(fā)，并幫他把他扔進(jìn)一個平板玻璃窗。這從未發(fā)生過，Guthrie對蒙大拿在電影中遭遇“糟糕說唱”表示遺憾。實際上，在亂扔垃圾事件和審判期間，Guthrie仍然在蒙大拿州大學(xué)就讀，并且在感恩節(jié)長周末只在Stockbridge（他將在學(xué)期結(jié)束時輟學(xué)）。
5
愛麗絲布洛克對電影對她的描寫非常消極。她在2014年的采訪中說：“那不是我。這是別人對我的想法?！?她對這部電影采取了特別的攻擊，錯誤地暗示她曾與格思里（以及其他人）一起睡過，并指出她從未與海洛因使用者聯(lián)系過。她還指出，這首歌和電影帶來了大量不必要的宣傳：“它只是真正影響了你的隱私。當(dāng)你是一個被認(rèn)為的公眾人物時，這是多么令人驚訝的人們是無恥的.....我們賣掉了那時的教堂?！崩聿榈隆ち_賓斯（Richard Robbins）不同意他在電影中使用的肖像，他將故事的幾乎所有內(nèi)容描述為“所有小說”和“完整的公?！薄ｋ娪暗闹匾邮茉趯㈦娪耙暈檩p娛樂和政治聲明之間搖擺不定。2009年，“ 政治日報”寫道，“將這部1969年的電影稱為喜劇片，錯過了其背叛浪漫主義的黑色背景，并將其視為瘋狂的自傳，錯過了它的政治。這是一部由軍事選秀和越南戰(zhàn)爭驅(qū)動的電影”。
“新聞周刊”最初發(fā)行時稱這部電影是“許多非凡的新電影中最好的，這些電影似乎質(zhì)疑了建立美國的許多傳統(tǒng)假設(shè)”。
電影導(dǎo)演阿瑟·佩恩在1971年接受采訪時談到了這部電影：“我試圖解決的是美國的沉默，以及我們?nèi)绾尾拍茏詈玫鼗貞?yīng)這種沉默.......我想表明美國是一個國家因害怕而陷入癱瘓，人們害怕失去他們所珍視的一切。這是新一代人試圖拯救一切“。
在提出暴力在電影中不那么重要的觀點時，佩恩回答說：“ 愛麗絲餐廳是一部潛在過渡的電影，因為角色在某種程度上知道他們在尋找什么。...重要的是要記住愛麗絲餐廳的人物都是中產(chǎn)階級白人。他們不是貧窮或饑餓或工人階級。他們與非裔美國人不在同一條船上。但他們也不是武裝分子。在這方面，教會居民并不是特別的他們覺得住在那里很容易，即使大多數(shù)人都買不起這樣的奢侈品。從這個角度來看，這部電影描繪了一個非常具體的社會階層。這是一部資產(chǎn)階級電影“。
最后一幕不是一對情侶看到他們的客人，而是愛麗絲獨自站在遠(yuǎn)處看著客人離開，仿佛知道她的未來實際上是對雷的黯淡。巧合的是，真正的愛麗絲和雷在拍攝婚禮現(xiàn)場的同一天完成了他們的離婚。亞瑟·佩恩曾表示，最后一幕的目的是評論反文化夢想不可避免的傳遞：“事實上，愛麗絲在教堂臺階上的最后一張照片是為了凍結(jié)時間，說這個天堂沒有?！?它不再存在，它只能在記憶中存在”。 “ 芝加哥論壇報”的吉恩·西斯克爾將愛麗絲餐廳列為1969年第三好的電影。
這部電影在美國票房收入6,300,000美元，成為1969年票房收入最高的第23部電影。
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被提名為奧斯卡獎的最佳導(dǎo)演（1969年） -阿瑟佩恩
被提名為美國作家協(xié)會 獎為直接寫在屏幕最佳戲?。?970） -赫恩登范納寶，阿瑟佩恩
第三名 - 勞雷爾獎 - 金色桂冠喜?。?970）
獲得英國電影電視藝術(shù)學(xué)院 獎提名 - 安東尼阿斯奎斯電影音樂獎（1971年） - Arlo Guthrie
*** *** *** *** *** References *** *** *** *** ***
^ "All-time Film Rental Champs", Variety, 7 January 1976 p 46
^ "Box Office Information for Alice's Restaurant". The Numbers. Retrieved February 26, 2012.
^ Cummings, Paula (November 21, 2017). Interview: Arlo Guthrie Carries On Thanksgiving Traditions And Fulfills Family Legacy. NYS Music. Retrieved October 25, 2018.
^ Zimmerman, Paul D. (September 29, 1969). "Alice's Restaurant's Children." Newsweek, page 103.
^ Doyle, Patrick (November 26, 2014). Arlo Guthrie looks back on 50 years of Alice's Restaurant. Rolling Stone. Retrieved November 29, 2014.
^ Arlo Guthrie's Alice is alive, glad to be here. The Wall Street Journal via the Pittsburgh Post-Gazette (November 22, 2006). Retrieved September 8, 2017.
^ Brown, Jane Roy (February 24, 2008). After Alice's restaurants. The Boston Globe. Retrieved October 24, 2015.
^ Giuliano, Charles (March 27, 2014). Alice’s Restaurant Returns to the Berkshires. Berkshire Fine Arts. Retrieved October 24, 2015.
^ James Grady, "Thanksgiving at Alice's Restaurant: The Guthries' American Dream Lives On", Politics Daily, 25.11.2009.
^ Zimmerman, Paul (September 29, 1969). "Alice's Restaurant's Children". Newsweek: 101–106.
^ Arthur Penn (2008). Arthur Penn: Interviews. Univ. Press of Mississippi. ISBN 978-1-60473-105-7.
^ M. Chaiken and P. Cronin (eds), Arthur Penn Interviews. University Press of Mississippi, 1998, p. 65.
^ M. Chaiken and P. Cronin (eds), Arthur Penn Interviews. University Press of Mississippi, 1998.
^ Cineaste (December 1993). "Arthur Penn Interview". cineaste. XX (2). Archived from the original on 14 September 2013. Retrieved 10 April 2014.
^ Siskel and Ebert Top Ten Lists. Retrieved April 22, 2014.
^ Awards Information for Alice's Restaurant. IMDb. Retrieved April 22, 2014.
*** *** *** *** *** External links*** *** *** *** ***
^Alice's Restaurant on IMDb
^Alice's Restaurant at the TCM Movie Database
^DVD Times Review
《愛麗斯餐廳》是一部改編自阿洛·古斯瑟里的歌曲的電影，屬于喜劇類型。劇情圍繞著阿洛幫助愛麗斯送垃圾到垃圾場展開，但因為垃圾場關(guān)閉，他將垃圾扔進(jìn)了峽谷底部的垃圾堆。警長發(fā)現(xiàn)后展開了搜捕行動，阿洛在法庭上幸存下來，但這段經(jīng)歷一直困擾著他。后來，阿洛被征召入伍，這段經(jīng)歷讓他更加困惑不解。電影以阿洛的旁白和音樂為引導(dǎo)，通過歌曲的旋律展開劇情。
這篇影評可能有劇透
0
Alice's Restaurant is a 1969 American comedy film directed by Arthur Penn. It is an adaptation of the 1967 folk song "Alice's Restaurant Massacree", originally written and sung by Arlo Guthrie. The film stars Guthrie as himself, with Pat Quinn as Alice Brock and James Broderick as Ray Brock. Penn, who resided in the story's setting of Stockbridge, Massachusetts, co-wrote the story with Venable Herndon in 1967 after hearing the song, shortly after completing Bonnie & Clyde.
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Alice's Restaurant was released on August 19, 1969, a few days after Guthrie appeared at the Woodstock Festival. A soundtrack album for the film was also released by United Artists Records. The soundtrack includes a studio version of the title song, which was originally divided into two parts (one for each album side); a 1998 CD reissue on the Rykodisc label presents this version of the song in full, and adds several bonus tracks to the original LP.
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In 1965, Arlo Guthrie (as himself) has attempted to avoid the draft by attending college in Montana. His long hair and unorthodox approach to study gets him in trouble with local police as well as residents. He quits school, and subsequently hitchhikes back East. He first visits his father Woody Guthrie (Joseph Boley) in the hospital.
Arlo ultimately returns to his friends Ray (James Broderick) and Alice Brock (Pat Quinn) at their home, a deconsecrated church in Great Barrington, Massachusetts where they welcome friends and like-minded bohemian types to "crash". Among these are Arlo's school friend Roger (Geoff Outlaw) and artist Shelley (Michael McClanathan), an ex-heroin addict who is in a motorcycle racing club. Alice is starting up a restaurant in nearby Stockbridge. Frustrated with Ray's lackadaisical attitude, she has an affair with Shelley, and ultimately leaves for New York to visit Arlo and Roger. Ray comes to take her home, saying he has invited a "few" friends for Thanksgiving.
The central point of the film is the story told in the song: After Thanksgiving dinner, Arlo and his friends decide to do Alice and Ray a favor by taking several months worth of garbage from their house to the town dump. After loading up a red VW microbus with the garbage, and "shovels, and rakes and other implements of destruction", they head for the dump. Finding the dump closed for the holiday, they drive around and discover a pile of garbage that someone else had placed at the bottom of a short cliff. At that point, as mentioned in the song, "...we decided that one big pile is better than two little piles, and rather than bring that one up we decided to throw ours down."
The next morning they receive a phone call from "Officer Obie" (Police Chief William Obanhein as himself), who asks them about the garbage. After admitting to littering, they agree to pick up the garbage and to meet him at the police officers' station. Loading up the red VW microbus, they head to the police station where they are immediately arrested.
As the song puts it, they are then driven to the quote scene of the crime unquote where the police are engaged in a hugely elaborate investigation. At the trial, Officer Obie is anxiously awaiting the chance to show the judge the 27 8x10 color glossy photos of the crime but the judge (James Hannon as himself) happens to be blind, using a seeing eye dog, and simply levies a $50 fine, orders them to pick up the garbage and then sets them free. The garbage is eventually taken to New York and placed on a barge. Meanwhile, Arlo has fallen in love with a beautiful Asian girl, Mari-chan (Tina Chen).
Later in the movie, Arlo is called up for the draft, in a surreal depiction of the bureaucracy at the New York City military induction center on Whitehall Street. He attempts twice to make himself unfit for induction, first by getting drunk the night before and performing the physical exams while hung over, then by acting like a homicidal maniac in front of the psychiatrist, but fails both times (the latter incident actually gets him praise). Because of Guthrie's criminal record for littering, he is first sent to the Group W bench (where convicts wait), then outright rejected as unfit for military service, not because of the littering incident, but because the government is suspicious of "his kind" and instead opted to submit his personal records to Washington, DC.
Upon returning to the church, Arlo finds Ray and members of the motorcycle club showing home movies of a recent race. Shelley enters, obviously high, and Ray beats him until he reveals his stash of heroin, concealed in some art he has been working on. Shelley roars off into the night on his motorcycle to his death; the next day, Woody dies. Ray and Alice have a hippie-style wedding in the church, and a drunken Ray proposes to sell the church and start a country commune instead, revealing that he blames himself for Shelley's death. The film ends with Alice standing alone in her bedraggled wedding gown on the church steps.
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Arlo Guthrie as Himself
Pat Quinn as Alice Brock
James Broderick as Ray Brock
Pete Seeger as Himself
Lee Hays as Himself – Reverend at Evangelical Meeting
Michael McClanathan as Shelly
Geoff Outlaw as Roger Crowther
Tina Chen as Mari-chan
Kathleen Dabney as Karin
William Obanhein as Himself – Officer Obie
James Hannon as Himself – the blind judge
Seth Allen as Evangelist
Monroe Arnold as Bluegrass
Joseph Boley as Woody Guthrie
Vinnette Carroll as Draft Clerk
Sylvia Davis as Marjorie Guthrie
Simm Landres as Private Jacob / Jake
Eulalie Noble as Ruth
Louis Beachner as Dean
MacIntyre Dixon as First Deconsecration Minister
Arthur Pierce Middleton as Second Deconsecration Minister
Donald Marye as Funeral Director
Shelley Plimpton as Reenie
M. Emmet Walsh as Group W Sergeant
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The real Alice Brock makes a number of cameo appearances in the film. In the scene where Ray and friends are installing insulation, she is wearing a brown turtleneck top and has her hair pulled into a ponytail. In the Thanksgiving dinner scene, she is wearing a bright pink blouse. In the wedding scene, she is wearing a Western-style dress.
Stockbridge police chief William Obanhein ("Officer Obie") plays himself in the film, explaining to Newsweek magazine that making himself look like a fool was preferable to having somebody else make him look like a fool.Judge James E. Hannon, who presided over the littering trial, also appears as himself in the film.Many of Guthrie's real-life associates in Stockbridge made appearances as extras, and Penn, who himself had a home in Stockbridge,spent time living among them in an effort to grasp their lifestyle.Guthrie and all of the extras were housed at the same hotel during filming of scenes outside Stockbridge, but Guthrie received star treatment; a limousine was provided for Guthrie each morning while the others had to find their own transportation for filming. This strained the relations between Guthrie and his friends for many years.Much of the film was recorded in Stockbridge.
The film also features the first credited film appearance of character actor M. Emmet Walsh, playing the Group W sergeant. (Walsh had previously appeared as an uncredited extra in Midnight Cowboy, released three months prior.) The film also features cameo appearances by American folksingers/songwriters Lee Hays (playing a reverend at an evangelical meeting) and Pete Seeger (playing himself).
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The original song "Alice's Restaurant Massacree" that formed the basis for the film's central plotline was, for the most part, a true story. However, other than this and the hippie wedding at the end of the film, most of the other events and characters in the film were fictional creations of the screenplay's writers. According to Guthrie, commenting in the DVD's audio commentary section, the film used the names of real people but took numerous liberties with actual events. Richard Robbins, Guthrie's co-defendant in real-life, was replaced by the fictional Roger Crowther for the film (in the song, he remained anonymous). The subplots involving the Shelly character were completely fictional and not based on any real people or incidents in Guthrie's life;his character's motorcycle club was loosely based on the Trinity Motorcycle Club (or, by a conflicting account, the Triangle Motorcycle Club), a real-life group of cyclists that associated with the Brocks and were alluded to in another Guthrie song, the "Motorcycle Song."The film also has Guthrie being forced to leave a Montana town after "creating a disturbance" – i.e., several town residents object to Guthrie's long hair, and gang up to throw him through a plate glass window. This never happened, and Guthrie expresses regret that Montana got a "bad rap" in the film. In reality, during the time of the littering incident and trial, Guthrie was still enrolled in a Montana college, and was only in Stockbridge for the long Thanksgiving weekend (he would drop out of college at the end of the semester).
Alice Brock has spoken very negatively of the film's portrayal of her. She stated in a 2014 interview "That wasn’t me. That was someone else’s idea of me."She took particular offense at the film falsely implying that she had slept with Guthrie (among others) and noted that she had never associated with heroin users.She also noted that the song and film brought a large amount of unwanted publicity: "It just really impinged on your privacy. It’s just amazing how brazen people can be when you’re a supposed public figure(…) We sold the church at that point." Richard Robbins, who did not consent to his likeness being used in the film, described almost all the additions to the story as "all fiction" and "complete bull."
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Critical reception of the film has wavered between seeing the film as light entertainment and as a political statement. In 2009, Politics Daily wrote that, "calling the 1969 film a comedy misses its noir backbeat of betrayed romanticism, and thinking of it as a madcap autobiography misses its politics. This is a movie driven by the military draft and the Vietnam War".
Upon its initial release, Newsweek called the film "the best of a number of remarkable new films which seem to question many of the traditional assumptions of establishment America."
When interviewed in 1971, the film's director, Arthur Penn, said of the film: "What I tried to deal with is the US's silence and how we can best respond to that silence. ... I wanted to show that the US is a country paralyzed by fear, that people were afraid of losing all they hold dear to them. It's the new generation that's trying to save everything".
In being offered the opinion that violence is not so important in the film, Penn replied: "Alice's Restaurant is a film of potential transition because the characters know, in some way, what they are looking for. ... It's important to remember that the characters in Alice's Restaurant are middle-class whites. They aren't poor or hungry or working class. They are not in the same boat as African Americans. But they're not militants either. In this respect the church dwellers are not particularly threatening. They find it easy to live there, even if most people can't afford such a luxury. From this point of view, this film depicts a very specific social class. It's a bourgeois film".
The final scene is not of a loving couple seeing off their guests, but of Alice standing alone looking into the distance, watching the guests leave, as if knowing that her future is in fact bleak with Ray.Coincidentally, the real Alice and Ray finalized their divorce on the same day the wedding scene was filmed.Arthur Penn has said that the final scene was intended as comment on the inevitable passing of the counterculture dream: "In fact, that last image of Alice on the church steps is intended to freeze time, to say that this paradise doesn’t exist any more, it can only endure in memory".Gene Siskel of the Chicago Tribune listed Alice's Restaurant as third best film of 1969.
The film grossed $6,300,000in the United States, making it the 23rd highest-grossing film of 1969.
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Nominated for Academy Award for Best Director (1969) – Arthur Penn
Nominated for Writers Guild of America Award for Best Drama Written Directly for the Screen (1970) – Venable Herndon, Arthur Penn
Third Place – Laurel Awards – Golden Laurel for Comedy (1970)
Nominated for British Academy of Film and Television Arts Awards – Anthony Asquith Award for Film Music (1971) – Arlo Guthrie
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一部由 Arthur Penn執(zhí)導(dǎo)的1969年美國喜劇電影。它改編自1967年的民歌 “ Alice's Restaurant Massacree ”，最初是由 Arlo Guthrie編寫和演唱的。這部電影以Guthrie為自己，而 Pat Quinn飾演Alice Brock， James Broderick飾演Ray Brock。住在馬薩諸塞州斯托克布里奇故事中的佩恩在完成邦妮和克萊德之后不久，在聽完這首歌后，于1967年與維納特赫恩頓共同撰寫了這個故事。
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愛麗絲餐廳于1969年8月19日在格思里出席伍德斯托克音樂節(jié)后幾天發(fā)布。一個原聲專輯為影片也被發(fā)布了美國藝術(shù)家的記錄。電影配樂包括主打歌的演播室版本，最初分為兩個部分（每個專輯一個部分）; 關(guān)于Rykodisc標(biāo)簽的1998年CD重新發(fā)行，完整地展示了這首歌的版本，并為原版LP添加了幾首獎勵曲目。
2
1965年，Arlo Guthrie（他本人）試圖通過在蒙大拿州上大學(xué)來避免選秀。他的長發(fā)和非正統(tǒng)的學(xué)習(xí)方式使他與當(dāng)?shù)鼐旌途用褚黄鹣萑肜Ь?。他退學(xué)了，隨后又回到了東部。他首先在醫(yī)院探望他的父親Woody Guthrie（Joseph Boley）。
Arlo最終回到了他的朋友Ray（James Broderick）和Alice Brock（Pat Quinn）的家中，這是一家位于馬薩諸塞州Great Barrington的deconsecrated教堂，他們歡迎朋友和志同道合的波西米亞風(fēng)格“崩潰”。其中有奧爾羅的學(xué)校的朋友羅杰（杰夫·奧特洛）和藝術(shù)家雪萊（邁克爾·麥克納森），一名前海洛因成癮者誰是在飆車俱樂部。愛麗絲正在斯托克布里奇附近開辦一家餐館。她對雷的缺乏態(tài)度感到沮喪，她與雪萊有染，最終離開紐約前往阿羅和羅杰。雷來帶她回家，說他邀請了一些“少數(shù)”朋友參加感恩節(jié)。
影片的中心點是歌曲中講述的故事：感恩節(jié)晚餐后，阿羅和他的朋友們決定通過從他們的房子到城鎮(zhèn)垃圾場拿幾個月的垃圾來幫助愛麗絲和雷。在裝滿垃圾的紅色大眾微型客車，以及“鏟，耙和其他破壞工具”后，他們前往垃圾場。他們在假日期間找到了傾倒的垃圾場，他們四處奔波，發(fā)現(xiàn)了一堆垃圾，其他人放在了一個短暫的懸崖底部。那時，正如歌曲中提到的那樣，“......我們決定一大堆比兩個小樁更好，而不是把它們拿起來，我們決定放棄它們。”
第二天早上，他們接到“奧比軍官”（警察局局長威廉·奧班海恩自己）打來的電話，問他們垃圾。在承認(rèn)亂扔垃圾后，他們同意拿起垃圾并在警察局接他。加載紅色大眾微型客車，他們前往警察局，他們立即被捕。
正如歌曲所說，然后他們被驅(qū)逐到犯罪的報價場景中，警察正在進(jìn)行一項非常精細(xì)的調(diào)查。在審判中，奧比官員焦急地等待有機(jī)會向法官展示27張8x10彩色光澤的犯罪照片，但法官（詹姆斯?jié)h農(nóng)本人）恰好是盲人，使用看眼狗，并簡單征收罰款50美元命令他們拿起垃圾，然后將它們釋放。垃圾最終被運往紐約并被放置在駁船上。與此同時，Arlo愛上了一位漂亮的亞洲女孩Mari-chan（Tina Chen）。
在電影的后期，Arlo被邀請參加選秀，對紐約市白廳街軍事導(dǎo)游中心的官僚主義進(jìn)行了超現(xiàn)實的描繪。他試圖兩次使自己不適合上腹部，首先是前一天晚上喝醉并在懸掛時進(jìn)行身體檢查，然后在精神科醫(yī)生面前表現(xiàn)得像一個兇惡的瘋子，但兩次失?。ê笳呤录嶋H上讓他贊美）。由于Guthrie的亂扔垃圾的犯罪記錄，他首先被送到W組的替補(bǔ)席（囚犯等待），然后完全被拒絕服兵役，不是因為亂扔垃圾事件，而是因為政府懷疑“他的那種”而是選擇將他的個人記錄提交給華盛頓特區(qū)。
回到教堂后，阿羅找到了雷和摩托車俱樂部的成員，他們展示了最近一場比賽的家庭電影。雪萊進(jìn)入，顯然很高，雷擊敗了他，直到他露出海洛因的藏匿處，隱藏在他一直在研究的一些藝術(shù)品中。雪萊在他的摩托車上咆哮到深夜，直到死亡; 第二天，伍迪死了。雷和愛麗絲在教堂里舉行了一場嬉皮風(fēng)格的婚禮，一個醉酒的雷建議賣掉教堂，開始建立一個鄉(xiāng)村公社，這表明他為雪萊的死感到憤怒。影片以愛麗絲獨自站在教堂臺階上的混亂婚紗禮服結(jié)束。
3
Arlo Guthrie就是他自己
Pat Quinn飾演Alice Brock
James Broderick飾演Ray Brock
Pete Seeger就是他自己
李海斯自己 - 在福音派會議上牧師
作為雪莉的Michael McClanathan
Geoff Outlaw飾演Roger Crowther
Tina Chen飾演Mari-chan
Kathleen Dabney飾演Karin
William Obanhein飾演自己 - 奧比軍官
詹姆斯?jié)h農(nóng)作為自己 - 盲目的法官
塞思艾倫擔(dān)任布道者
夢露阿諾德飾演藍(lán)草
約瑟夫博利飾演伍迪格思里
Vinnette Carroll擔(dān)任草案文員
Sylvia Davis飾演Marjorie Guthrie
Simm Landres作為私人雅各布/杰克
Eulalie Noble飾演露絲
Louis Beachner飾演Dean
麥金太爾·迪克森擔(dān)任第一任譴責(zé)部長
亞瑟·皮爾斯·米德爾頓擔(dān)任第二次退役部長
Donald Marye擔(dān)任葬禮總監(jiān)
Shelley Plimpton飾演Reenie
M. Emmet Walsh擔(dān)任W組中士
4
真正的愛麗絲布洛克在電影中出演了許多客串。在Ray和朋友正在安裝保溫材料的場景中，她穿著棕色高領(lǐng)上衣，頭發(fā)被扎成馬尾辮。在感恩節(jié)晚餐現(xiàn)場，她穿著一件亮粉色的上衣。在婚禮現(xiàn)場，她穿著西式禮服。
Stockbridge警察局長William Obanhein（“奧比軍官”）在電影中飾演自己，向“新聞周刊”雜志解釋說讓自己看起來像個傻瓜比讓別人讓他看起來像個傻瓜更可取。主持亂拋垃圾審判的法官詹姆斯·漢農(nóng)（James E. Hannon）也出現(xiàn)在電影中。Guthrie在Stockbridge的許多現(xiàn)實生活中扮演的角色都是臨時演員，Penn本人在Stockbridge有家，花時間與他們共同生活，努力掌握他們的生活方式。Guthrie和所有演員在拍攝Stockbridge外面的場景時被安置在同一家酒店，但Guthrie獲得了明星待遇; 每天早上為Guthrie提供一輛豪華轎車，而其他人則必須找到自己的拍攝交通工具。這使Guthrie和他的朋友之間的關(guān)系多年來緊張。這部電影大部分都是在斯托克布里奇錄制的。
這部電影還有角色演員M. Emmet Walsh首次亮相的電影，扮演W組中士。（Walsh此前曾在午夜牛仔中出現(xiàn)過三個月前發(fā)布的未經(jīng)授權(quán)的額外內(nèi)容。）這部電影還有美國民謠歌手/詞曲作者Lee Hays（在福音派會議上扮演一個牧師）和Pete Seeger（扮演自己）的角色出場。
5
原本歌曲“愛麗絲的餐廳大屠殺”構(gòu)成了電影中央情節(jié)線的基礎(chǔ)，在很大程度上是一個真實的故事。然而，除了這個以及電影結(jié)尾的嬉皮婚禮，電影中的大多數(shù)其他事件和角色都是劇本作家的虛構(gòu)創(chuàng)作。據(jù)Guthrie在DVD的音頻評論部分評論，這部電影使用了真人的名字，但卻對實際事件采取了許多自由。古斯里在現(xiàn)實生活中的共同被告理查德羅賓斯被電影中的虛構(gòu)羅杰克勞瑟所取代（在歌曲中，他仍然是匿名的）。涉及雪莉角色的次要情節(jié)完全是虛構(gòu)的，并非基于格思里生活中任何真實的人或事件; 他的角色的摩托車俱樂部基于三位一體的摩托車俱樂部（或者，由一個相互沖突的賬戶，三角摩托車俱樂部），一群真實的騎自行車者，與布洛克斯有關(guān)，并在另一個Guthrie歌曲中提到， “摩托車之歌”。這部電影還讓Guthrie在“制造干擾”之后被迫離開蒙大拿州的城鎮(zhèn) - 也就是說，幾個城鎮(zhèn)居民反對Guthrie的長發(fā)，并幫他把他扔進(jìn)一個平板玻璃窗。這從未發(fā)生過，Guthrie對蒙大拿在電影中遭遇“糟糕說唱”表示遺憾。實際上，在亂扔垃圾事件和審判期間，Guthrie仍然在蒙大拿州大學(xué)就讀，并且在感恩節(jié)長周末只在Stockbridge（他將在學(xué)期結(jié)束時輟學(xué)）。
5
愛麗絲布洛克對電影對她的描寫非常消極。她在2014年的采訪中說：“那不是我。這是別人對我的想法?！?她對這部電影采取了特別的攻擊，錯誤地暗示她曾與格思里（以及其他人）一起睡過，并指出她從未與海洛因使用者聯(lián)系過。她還指出，這首歌和電影帶來了大量不必要的宣傳：“它只是真正影響了你的隱私。當(dāng)你是一個被認(rèn)為的公眾人物時，這是多么令人驚訝的人們是無恥的.....我們賣掉了那時的教堂?！崩聿榈隆ち_賓斯（Richard Robbins）不同意他在電影中使用的肖像，他將故事的幾乎所有內(nèi)容描述為“所有小說”和“完整的公?！薄ｋ娪暗闹匾邮茉趯㈦娪耙暈檩p娛樂和政治聲明之間搖擺不定。2009年，“ 政治日報”寫道，“將這部1969年的電影稱為喜劇片，錯過了其背叛浪漫主義的黑色背景，并將其視為瘋狂的自傳，錯過了它的政治。這是一部由軍事選秀和越南戰(zhàn)爭驅(qū)動的電影”。
“新聞周刊”最初發(fā)行時稱這部電影是“許多非凡的新電影中最好的，這些電影似乎質(zhì)疑了建立美國的許多傳統(tǒng)假設(shè)”。
電影導(dǎo)演阿瑟·佩恩在1971年接受采訪時談到了這部電影：“我試圖解決的是美國的沉默，以及我們?nèi)绾尾拍茏詈玫鼗貞?yīng)這種沉默.......我想表明美國是一個國家因害怕而陷入癱瘓，人們害怕失去他們所珍視的一切。這是新一代人試圖拯救一切“。
在提出暴力在電影中不那么重要的觀點時，佩恩回答說：“ 愛麗絲餐廳是一部潛在過渡的電影，因為角色在某種程度上知道他們在尋找什么。...重要的是要記住愛麗絲餐廳的人物都是中產(chǎn)階級白人。他們不是貧窮或饑餓或工人階級。他們與非裔美國人不在同一條船上。但他們也不是武裝分子。在這方面，教會居民并不是特別的他們覺得住在那里很容易，即使大多數(shù)人都買不起這樣的奢侈品。從這個角度來看，這部電影描繪了一個非常具體的社會階層。這是一部資產(chǎn)階級電影“。
最后一幕不是一對情侶看到他們的客人，而是愛麗絲獨自站在遠(yuǎn)處看著客人離開，仿佛知道她的未來實際上是對雷的黯淡。巧合的是，真正的愛麗絲和雷在拍攝婚禮現(xiàn)場的同一天完成了他們的離婚。亞瑟·佩恩曾表示，最后一幕的目的是評論反文化夢想不可避免的傳遞：“事實上，愛麗絲在教堂臺階上的最后一張照片是為了凍結(jié)時間，說這個天堂沒有?！?它不再存在，它只能在記憶中存在”。 “ 芝加哥論壇報”的吉恩·西斯克爾將愛麗絲餐廳列為1969年第三好的電影。
這部電影在美國票房收入6,300,000美元，成為1969年票房收入最高的第23部電影。
6
被提名為奧斯卡獎的最佳導(dǎo)演（1969年） -阿瑟佩恩
被提名為美國作家協(xié)會 獎為直接寫在屏幕最佳戲?。?970） -赫恩登范納寶，阿瑟佩恩
第三名 - 勞雷爾獎 - 金色桂冠喜?。?970）
獲得英國電影電視藝術(shù)學(xué)院 獎提名 - 安東尼阿斯奎斯電影音樂獎（1971年） - Arlo Guthrie
*** *** *** *** *** References *** *** *** *** ***
^ "All-time Film Rental Champs", Variety, 7 January 1976 p 46
^ "Box Office Information for Alice's Restaurant". The Numbers. Retrieved February 26, 2012.
^ Cummings, Paula (November 21, 2017). Interview: Arlo Guthrie Carries On Thanksgiving Traditions And Fulfills Family Legacy. NYS Music. Retrieved October 25, 2018.
^ Zimmerman, Paul D. (September 29, 1969). "Alice's Restaurant's Children." Newsweek, page 103.
^ Doyle, Patrick (November 26, 2014). Arlo Guthrie looks back on 50 years of Alice's Restaurant. Rolling Stone. Retrieved November 29, 2014.
^ Arlo Guthrie's Alice is alive, glad to be here. The Wall Street Journal via the Pittsburgh Post-Gazette (November 22, 2006). Retrieved September 8, 2017.
^ Brown, Jane Roy (February 24, 2008). After Alice's restaurants. The Boston Globe. Retrieved October 24, 2015.
^ Giuliano, Charles (March 27, 2014). Alice’s Restaurant Returns to the Berkshires. Berkshire Fine Arts. Retrieved October 24, 2015.
^ James Grady, "Thanksgiving at Alice's Restaurant: The Guthries' American Dream Lives On", Politics Daily, 25.11.2009.
^ Zimmerman, Paul (September 29, 1969). "Alice's Restaurant's Children". Newsweek: 101–106.
^ Arthur Penn (2008). Arthur Penn: Interviews. Univ. Press of Mississippi. ISBN 978-1-60473-105-7.
^ M. Chaiken and P. Cronin (eds), Arthur Penn Interviews. University Press of Mississippi, 1998, p. 65.
^ M. Chaiken and P. Cronin (eds), Arthur Penn Interviews. University Press of Mississippi, 1998.
^ Cineaste (December 1993). "Arthur Penn Interview". cineaste. XX (2). Archived from the original on 14 September 2013. Retrieved 10 April 2014.
^ Siskel and Ebert Top Ten Lists. Retrieved April 22, 2014.
^ Awards Information for Alice's Restaurant. IMDb. Retrieved April 22, 2014.
*** *** *** *** *** External links*** *** *** *** ***
^Alice's Restaurant on IMDb
^Alice's Restaurant at the TCM Movie Database
^DVD Times Review
