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導(dǎo)演：PatrickCarpentier 

編?。?/span>PatrickCarpentier 

主演：LéoJorisTomasMatauko

類型：電影 

制片地區(qū)：比利時(shí) 

年份：2006 年

評(píng)分：6.8分

上映時(shí)間：2006-02-16

片長(zhǎng)：57分鐘

對(duì)白語(yǔ)言：法語(yǔ)

更新時(shí)間：2022-06-06 02:50:02

狀態(tài)：已完結(jié)

豆瓣ID：3306828搏斗

劇情簡(jiǎn)介：Toldinthreeparts,PatrickCarpenter’s“TheIrregularityofthetearing”isathreepartcine-diaryonintimacy,sensualityanddesire.Partone,“GodisaDog”(2004)isshotonSuper8andconfrontsthefilmmakersremembrancesofchildhoodmemoriesandhowtheyinteractwithhisadultloveencounters.Sectiontwo,“Les9mardis”(The9Tuesdays)(2005)dealswiththeabsurdityofthepassageoftime.Timethatreopensandclosespastwounds,timetheprovidesthecouragetocontinue.　　Thefinalinstallmentistheawardwinning“Combat”(2006).Thetaleoftwoyoungmenbothdeeplyinlovewhocanonlyexpresstheirfeelingsthroughactsofphysicalviolencecommitteduponeachother.Fullmoonsandlushforestsframethisdeeplyfeltandmovinglovestorybetweentwobeautiful,youthfulmen.Initsentirety,“Combat”leavestheviewerwithasenseofwonderandawewhilecontemplatingthetruemeaningoflove.　　---　　REVIEW　　Oneofthemostintriguingaspectsofgaymalesexuality--andtheoneexploredhere--istheabsenceand/orreplacementoftheiconicdominant-submissiverelationshipourculturehasgottensousedto.Combatoffersacoupleofinterestingobservationsonthesubject:masochismisinstilledearlyhomosexualdevelopment(asenseofinferiorityandfearisstampedontheleadcharacterfromage14whenheisbeatenupbyacouplekids&toldbyhismotherthatheshouldhavefoughtback),andthatpainelevatedtoaformofsexualarousalsimultaneouslyservesasasourceofindulgenceandpenitence(whiletheyhavereplacedgenitalarousalwithbodilydamage&seemtoenjoyit,theyoungercharacterassertsattheend:"Ifeelgoodwithyou.Imean,notguilty."It'ssimultaneouslyastatementaboutloveconqueringadeep-seededhomosexualguiltcomplexandaconfessionthatthisviolence,whichhisloverreferstoas"punishment,"isasoul-cleansingact.)　　Themovieisoccasionallybeautiful(theirskininthemorninglightmakesthemlooklikecorpses,whichisthematicallycompelling),occasionallygharish(theredstormcloudshavegottogo),andoccasionallyclichéd(thedirector'suseofhand-heldcamerastoincreasethe"visceral"qualityofitsmoreviolentscenesissomethingoutofafreshmanfilmclass).　　Nevertheless,theseobservationsaside,Ihaveamajorcomplaint:sincethemoviehasnointerestincharacterandexaminesitsparticularbreedofsexualitythroughpeoplewhoarenomorethan"types,"itisimpossibletobecomeemotionallyinvolved.ThatisnotusuallysomethingIcareabout,butthedirectorclearlyWANTSustobeemotionallyinvolved:theagonizinglyseriousvoice-overisWAYoverthetop.　　--NoelleReilly